The focal story in this week’s Sakonnet Times begins by noting that Tiverton High School’s now-running student musical marks the first time any high school in the entire state has performed Hair in the half century since it was released. There’s a reason for that, and it’s the same reason the school felt the need to put a disclaimer on its fliers, warning in bolded all caps: “FOR MATURE AUDIENCES ONLY.”
Younger brothers and sisters of the performers… sorry, you’re out of luck. The public high school is apparently no place for children in Tiverton.
Drama director Gloria Crist notes that she modified the nudity scene, replacing the potential child pornography with something involving glow sticks. She also notes that there won’t be any depictions of drug use actually on the stage. As for the script’s profanity, Crist says she took some out, but “kept the rest in, with taste of course.”
Those familiar with the musical — and I had the soundtrack memorized at one point — might question the judgment of taste by somebody who would choose this play for a school production involving children as young as 14 or 15. I’ve requested from the district a song list and the libretto but have not yet received any reply.
According to Crist, Tams-Witmark Music Library, which owns the rights to Hair, refused to let the school cut the nudity scene, but allowed the glow-stick creativity. One wonders whether the school was permitted to cut some of the songs, like “Sodomy” (“Masturbation can be fun/Join the holy orgy Kama Sutra everyone”); “Initials,” in which LBJ takes the IRT and sees “the youth of America on LSD,” or “The Bed.” If individual parents want to validate this sort of content for their own children, that’s one thing, but for a public high school to be giving it a seal of approval is wholly inappropriate.
No doubt much of the most objectionable content has been removed or softened, but even so, “clever work-arounds,” as the article puts it, for content that goes too far even for radicals have a tendency to invite curiosity, especially among children with access to the Internet wherever they go, carrying the implied approval of the public school system.
Even edited, there’s simply no way to tease out the glorification of sex and drug culture in Hair. Rhode Island is the sixth-highest state in the nation for drug overdose deaths, according to the CDC. Addressing the counterculture of the ’60s in an academic setting is appropriate, to be sure, but Hair revels in it, promotes it. Indeed, Crist seems to intend the explicit propagandizing of the town’s children: “It has been so powerful to watch them get it. But they do. They understand what freedom of choice is, social justice…”
This sort of decision by the school department certainly affirms the decisions of many parents who choose private schools for their children, but parents who lack the resources are stuck. Frankly, if public school is now about pushing the envelope in this way, the case is even stronger for allowing parents to use the funds set aside for their children to make better decisions.
UPDATE (5/19/16; 8:11 a.m.)
Given a resurgence of attention to this post, I should note that the school administration did send me a song list, and I have watched the performance (although the video on YouTube has since been switched to private). Busy days and other priorities combined with indecision about whether it would be appropriate to publicize an unofficial video of the performance led to the delay of this update.
The songs “Sodomy” and “The Bed,” described above, were removed from the script, but “Initials” was kept, as were other inappropriate songs, like “Hashish,” which lists drugs and ends with “s-e-x, y-o-u” and a euphoric “wow.” Much of the sexual content of the musical remained, the anti-Catholic parts were actually more aggressive than I would have expected.