Many college graduates over the past few decades will have come across live painting performances, in which the artist makes a performance out of the craft. My recollection is that the guy I saw back in 1993 was a bit of a pioneer (Denny Dent, I think), and part of his set involved pretending to mess up a painting of Jimi Hendrix only to flip it over and reveal the work as a success. The image of him flipping that painting over comes to mind when I read news like this, in the Providence Journal:
The Cranston Police Department and Cranston Public Schools are working together to implement a program that will help identify homes of children with autism spectrum disorders and intellectual disabilities.
The goal is to improve safety for children, and parents have the option to include their children in the registry, according to a news release from the chief of the Cranston Police Department, Col. Michael J. Winquist. Parents who wish to participate may fill out a form on the department’s website. Forms are also being distributed through the city’s public schools.
Yes, it’s well intentioned and voluntary. But… but… I can’t help but think of CBS’s proclaiming Iceland’s supposed progress in “eliminating Down syndrome” by aborting unborn children who have it and the constant push to implement and expand legalization of euthanasia around the world.
While I wouldn’t criticize the city for implementing the program, or residents for utilizing it, I think it’s important to pause and recognize that the picture being painted in our culture has all the features of a truly terrifying portrait and may only require a flip to reveal where it was going all along.